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Noisense

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  1. Hi there. I've been reading a lot and watching videos about this and I'm still pretty confused. Really sorry if I ask something already answered. I've looked for it and didn't find exactly what I'm looking for. At the moment, I do everything in the box in Logic, except for playing a midi keyboard and electric bass. I don't have physical keyboards with sounds. I miss being able to mess with controls while playing virtual synths, as well as trying on the spot the interactions of two parameters changing at the same time, for instance two sends on a channel. You can't do that on real time with a mouse or a trackpad, at least not that I know of. So a control surface seems the logical solution. My first consideration is compatibility with Logic Pro, having templates with pre assigned functions, and being able to define my own assignments and even saving and recalling them. I'm not interested in having a bunch of physical buttons to duplicate key commands in Logic, that would be redundant. My second consideration would be motorized vs. non motorized faders. I think that if I'm smart enough while using the different automation modes (trim, relative) and a good screen resolution, I could get away without motorized faders. On top of that, the one that fits my max budget, the X-Touch 1, has been criticized for having noisy faders. So, do I need a control surface? Non motorized or motorized faders? Which one? Thanks in advance!
  2. Put your VIDEOID as follows (or use the YouTube button in this editor) [youtube]
  3. Hi there. This is my entry for the Westworld Scoring Competition. I tried to write something absolutely tailored to the story. For better or worse, I didn't want to watch any other entry prior to submitting mine. I just used the LABS library, for sonic coherence and just as a self imposed challenge. This is my first try at media composing, so any feedback is much appreciated. Thanks in advance!
  4. It's the position in the transport bar.
  5. I had the same problem. Fighting with the UI for hours. Read this. Fixed. David, you're the best.
  6. I think my problem is that the aux return track that Sagey says will print not just the track I want to bounce, but the wet signals of all the other tracks that were sent to that effect bus, even if those tracks are muted.
  7. Hi everyone. I have the same problem and this solution works fine as far I can tell, and it's not as cumbersome as exporting audio and dragging it from outside logic. Thanks! Anyway, the bounced region never seems to sound quite like the original, even with the effects printed. Perhaps there's a slight difference in volume.
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